You’ve just walked into the 1st Bank Center on the outskirts of Denver, Colorado. It’s the third game of the 2011 WFTDA Championship and the first thing you hear is the roar of a crowd; then the already ragged voice of an over-excited track-side announcer calling a “grand slam.” You rush along the crowded concourse passing derby vendors and over-priced beer hawkers until finally finding an opening. You rush up a set of stairs and for a brief moment, as you gaze out over the thousands for that first glimpse of big-stadium derby, the track looking impossibly larger and smaller than anything you’ve seen before because of the scope of the game and the grandness of the stage, your breath is taken away. So taken by the sight are you that it takes a moment to gather yourself, to look about for a place to sit. You feel like you’ve somehow stumbled onto an oracle summoning the future of flat track roller derby; until, of course, you manage to sit and gather yourself, take a deep breath and realise: the future is now.
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For the second year in a row the extraordinarily talented Oly Rollers lost in the WFTDA Championship bout to a team that played a more sophisticated game; a grittier, slower, more nuanced version of the sport, one that has evolved on the flat track and that each year looks a little more different from the banked track game that preceded it. And that could be at the heart of Oly’s inability to hold their position at the top of the heap: in many ways they still play a banked track version of the sport on a flat surface, what has on the digital pages of this site been referred to as “hit and run” roller derby.
Oly and Gotham in the 2011 final.
Oly is, without a doubt, a team of immensely proficient skaters, and one-on-one, a player such as the magnificent Sassy is still able to mesmerize with her timing and instinct, and so good are they—so mind-bogglingly talented are they—that they are still able to dominate pretty much any team on the planet that is playing the game. While last year, it took late-game heroics for Rocky Mountain to foil Oly’s attempt to defend the title, this year in the final they often looked perplexed against Gotham. Stunned at times in the second half of their surprisingly undisciplined 140-97 loss, for here was a team that embraced the tactics emerging organically from playing the game on a flat surface, but here also was a team that could skate. They could hit, they had the footwork, the endurance and raw skill. In the final of the 2011 WFTDA Championship Gotham Girls Roller Derby may have emerged as the first perfect flat track team. Not just a perfect roller derby team, but a perfect flat track one. In a sport as young and as “unfinished” as this one is, we may finally have ourselves a model off which to base the future.
While there was still some resistance to change at this year’s championship, there wasn’t as much of the cynicism that sometimes marred the experience of last year’s tournament (the insulting and narrow-minded “Slow Derby Sucks” movement, for example, that among other things, called for boycotts of particular teams in propaganda-ish flyers). And while boos did reign down when things didn’t get moving at the start line (hopefully for the teams that allowed it to happen and not those who were taking advantage of the teams who didn’t know what to do, or didn’t realize it was to their detriment), there was less meanness behind it, and the signs in the crowd that insulted teams last year were replaced in 2011 by more good-natured, even playful ones like “Occupy The Pivot Line,” or “The Pivot Line Needs Love Too.”
Minnesota All Stars were a much different team from the one that lost in the first round in 2010.
While a lot of the fans have certainly embraced the multi-speed nature of the flat track game (remember, as recently as 2009 fans were still booing trapping tactics on power jams), it seems that all of the top teams have come around as well. The Minnesota Girls All Stars are probably the best example of a league and a team that has finally come to embrace the flat track game. Although one of the oldest leagues in flat track history, only one year ago, at last year’s championship, it looked as though the sport had passed them by. They seemed reluctant to play the slow-game tactics that had come to define flat track, and relied on traditional hit and run strategies. They were destroyed in the opening round by the multi-speed, multi-strategy Charm City Roller Girls 249-118.
What a difference a year makes.
After a thrilling run at the North Central Regionals that came up just short, Minnesota was drawn in the first round against Charm City once again. While it was a similar Charm team to last year’s, Minnesota could not have been more different, or more prepared. They played a slower, more patient game, and the bout was full of nerdy derby as nearly every jam began with what is coming to be called a “rugby” or “scrum” start. Minnesota, looking like a revitalized team, got their revenge, 160-121.
Kansas City, champions in 2007, was the breakout team of the 2011 tournament.
As exciting as it was to see an original WFTDA team buy into the more contemporary version of the sport, as fitting as it seemed that Texas returned (after only one year’s absence) to the final four, and as thrilling as it was to see WFTDA crown its first two-time champion, this was a tournament of breakouts. While Sassy may still be the smartest and best one-on-one blocker in the game, her teammate, Hockey Honey (a Jet City transfer), looks to be a super-blocker in training and needs to add just a bit of control to her game to become considered one of the best there is. And finally, surprising tournament MVP and super-breakout player Kelly Young (along with her big-time blocker teammate Eclipse) led the breakout team of the tournament, Kansas City Roller Warriors, all the way to a surprising birth in the final four (they seemed to run out of steam against Texas in the third place bout leading early on before fading in the end and falling 136-112). Though it should be noted that Kelley Young has had a storied career in the sport, this was the year her name finally lit up the marquee and the larger flat track community took notice. Finally, Gotham, who seemed a top player or two on the depth chart away from competing last year, was pushed over the edge by transfer skaters Sexy Slaydie (a monster in the pack from Nashville) and Wild Cherri (Tampa Bay) who finally gave the team a consistent and formidable three-jammer rotation that was untouchable in the tournament and was a huge factor in their championship victory.
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As you follow the stream of spent fans exiting 1st Bank Centre, your head humming, the roar of the crowd still echoing, you come to the realization that with each passing WFTDA Championship, that with each passing season, the game continues to find itself; this year it seemed more stable in its identity, more confident in what it has become. Born from a game of speed and agility on a banked surface, it has evolved into its own species: a game of pace and stability on a flat track that looks less and less like the sport that parented it less than a decade ago. And as you pull out of Denver, the sounds of the games still ringing in your ears, the city rising up among the mountains that fall away as your plane ascends, you think to yourself, contentedly, that the sport of flat track roller derby has finally become what it will be.
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